Branson Shows:  Kurt L. Moore's Review of The Many Faces of China - New Shanghai Circus
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The Many Faces of China
New Shanghai Circus



Imagine living in the comfort of America for the majority of your life and then suddenly moving to China and having to absorb and conform to their customs and way of life. Now imagine that scenario in reverse and that is exactly what the acrobats of the “Incredible Acrobats of China” have been faced with coming here. It is not easy coming to a completely different country, especially one as different from China as the United States. Our country is visibly different to the Chinese and our ideologies are a universe away. However there are certain things that are the same in both countries. Family is the center core of the people in both countries, children all laugh and cry the same, adults too for that matter, music and math are universal languages and acting along with acrobatics are understood worldwide.

A few years ago, my son Eric went to China on a mission trip. He did not speak a lick of Chinese and most of the Chinese people he encountered did not speak English, so Eric, facing a communication problem while in China and being the resourceful guy that he is, devised a universal way to communicate with them. He taught them how to play Uno. No English, Chinese or Mandran needed; facial expressions, body language and laughter had them communicating in no time at all. End of story.

No matter where we find ourselves, we, being the adaptable creatures we are, will find a way, some way, to communicate. The “Incredible Acrobats of China” need no interpreter to help them, except in matters of specific topics. When they are onstage, their acrobatics are communication enough for everyone to understand that they are immensely talented and what they are doing is instantly recognized. Acrobats in China are highly rated and prized as entertainers and enjoy a good social status. People who want to become an acrobat, have to literally train for it exclusively throughout their formative years and well into early adulthood. It is a very rigid and disciplined life that most kids in America would walk away from in the time it takes to do a back flip. No, I have nothing against American youth when I say that. I was an American kid and I raised two American kids, one of which is raising yet another generation American kid. I am only speaking with somewhat of a knowledge of reality, in the fact that our lifestyle is yet another world apart from the Chinese lifestyle. What is a successful career in China would not necessarily be a successful lifestyle here.

 After each show is presented at the MGH Performing Arts Center the acrobats, about 30 of them, gather in the spacious lobby of the theater to greet their audience. Most of the performers do not speak English, except for a few chosen words and phrases, but one will notice they are communicating, one on one, with each person by the usage of their facial expressions and body language. When you exit the theater into the lobby, you will spot the discipline, determination and dedication in these young Chinese faces. You will see the differing personalities in each of these young Chinese people. Look at them, smile at them and they will in turn do the same for you. They are communicating with you and you with them. I felt they were saying, hi, we are glad to see you and we thank you for coming to our show.

The show itself is testament to what a good, colorful, well-timed and coordinated production can be. First off, let me say that the production of the Incredible Acrobats is awe-inspiring. When I first saw the show a few years ago, I was under the impression there would be a dozen or so little Chinese guys and/or gals running, jumping and doing all sorts of gymnastics onstage.

I wrote their first review at that time and stated that I could not have been more wrong. It turned out to be the most awesome production that I had seen, up to that time, in Branson.

The show has changed somewhat each year since. Acts have been added and acts have been taken from the line-up.

This year, several noticeable acts have been removed and it has affected the over-all scope of the production. It seems to be a tad less colorful than in previous years.
Now having said that, let me go on to say that the acts that have been added, though not as colorful per-say, are in their own way so different as to give a partially new definition of the show. The Acrobats have traditionally had color, spectacle, music, talented people, and acts of all sorts from magic to dance to straight acrobatics. This year we can add to the list of things they have, sensuality.

They have brought on board, a couple of individuals who do the impossible in a very sensual way. I am not going to elaborate on what it is they do, because I want you to go see them for yourself. I am not going to show any photos of their act, because, again, I want you to experience the show for yourself, and folks, I assure you that it is quite a show. Some of the stuff they do border on the totally unbelievable. Of course, I feel some of the acts they perform are on the outside edge of sanity. These are acts that you certainly do not want to try at home unless you have a good, reliable and currently paid hospitalization plan.

 So, in place of showing you in photos the acts these young performers do, I am highlighting the many faces of China by showing only their faces in this article. By doing so, I hope to pass onto you the idea that these are not simply individuals who are massed into a great performing unit. They are instead, individuals who perform on a unified stage alongside others of their own nationality. First and foremost, however, they are individuals who possess a unique level of talent that few, worldwide, will ever achieve.

For show times, reservations or information, call: (417) 335-2000.

© Copyright 2004—Kurt L. Moore—All Rights Reserved.
klmoore@earthlink.net
 

Copyright © 2004 bransoncritic.org

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